The event was televised in the U.S. by ABC and was produced by Ricky Kirshner and Glenn Weiss.[4] Weiss was also the director. Comedian and late-night talk show host Jimmy Kimmel hosted the show for the third time, after emceeing the 89th and 90th ions of the ceremony in 2017 and 2018, respectively.[5]
Everything Everywhere All at Once became the first film since 2013's Gravity to win seven Academy Awards, and the most awarded Best Picture winner since 2008's Slumdog Millionaire (which won eight Academy Awards).[18][19] It is the third film in history to win in three acting categories, following A Streetcar Named Desire (1951) and Network (1976), and the first of these films to also win Best Picture.[20]A24 won nine awards, more than any other studio or distributor; with Everything Everywhere All at Once and The Whale (with six and one awards respectively), the studio was the first to win seven of the eight top awards: Best Picture, Best Director, Best Original Screenplay, and the four acting awards (missing only Best Adapted Screenplay).[21][22]
On February 11, 2023, a majority of the full production team was announced, with Rob Paine as a co-executive producer, Sarah Levine Hall, Raj Kapoor, Erin Irwin, and Jennifer Sharron joining as producers, Rickey Minor returning as music director since the 2020 ceremony, Taryn Hurd as talent producer, Dave Boone, Nefetari Spencer, and Agathe Panaretos as writers, and Robert Dickinson returning as lighting designer.[35]
For the Best Original Song performance of "This Is a Life" from Everything Everywhere All at Once, Japanese singer Mitski, who performs the song in the film with David Byrne, was unavailable to perform it at the ceremony, with Stephanie Hsu taking her place.[33] M. M. Keeravani served as music director for the performance of "Naatu Naatu" from RRR by singers Kaala Bhairava and Rahul Sipligunj, which involved Los Angeles-based dancers performing the song's choreography; however the film's stars N. T. Rama Rao Jr. and Ram Charan did not take part as they did not have time to rehearse.[36][37][38] "Hold My Hand" was not initially scheduled to be performed at the ceremony due to Lady Gaga's commitment to filming Joker: Folie à Deux.[39] However, at the last minute, it was reported that Gaga would perform the song after all.[30]
The official trailer for Disney's live-action remake of The Little Mermaid also debuted during the telecast, with stars Halle Bailey and Melissa McCarthy appearing as presenters to promote the film.[40] Morgan Freeman and Margot Robbie also introduced a tribute to the 100th anniversary of Warner Bros.[41] Both the trailer for The Little Mermaid and the Warner Bros. tribute were part of sponsored-integration opportunities offered by ABC to all the major film studios; the videos themselves aired as advertisements on the U.S. broadcast and were not screened in the Dolby Theatre or for all international viewers. Disney reportedly paid its subsidiary ABC $10 million to air the trailer, while Warner Bros. paid the network $3 million to air the tribute.[29][42]
The look and feel of red carpet arrivals at the ceremony received a major overhaul overseen by creative consultants Lisa Love and Raúl Àvila, to create a smoother transition from the late-afternoon sunlight outside the auditorium to the evening setting inside (which had been noted by Academy CEO Bill Kramer as a recurring issue with the red carpet since its introduction at the 33rd Academy Awards). As part of these changes, the color of the eponymous red carpet was changed for the first time; the carpet was a champagne color contrasted by sienna-colored curtains which were designed to block more of the sun.[45]
Andrea Riseborough's nomination and controversy[]
Andrea Riseborough's Best Actress nomination for To Leslie was controversial amongst critics and pundits, as Momentum Pictures, the film's distributor, did not fund a conventional advertising-driven awards campaign for the film. Rather director Michael Morris and his wife, actress Mary McCormack, organized a "celeb-backed campaign" to get Riseborough nominated.[46][47] They contacted friends and colleagues in the entertainment industry, asked them to view the film, and share it with others if they enjoyed it.[48] Among those who lobbied for recognition of Riseborough's performance were Amy Adams, Jennifer Aniston, Jodie Comer, Jane Fonda, Melanie Lynskey, Edward Norton, Gwyneth Paltrow, Howard Stern, Kate Winslet, and fellow Best Actress nominee Cate Blanchett, who was widely regarded as the frontrunner to win the award prior to eventually losing to Michelle Yeoh. Morris and Riseborough also hired publicists to coordinate the efforts. While theretofore not widely regarded as a serious awards-season contender, the campaign successfully raised Riseborough's profile; dozens of celebrities praised her performance on social media, and some hosted screenings of the film during voting for the Academy Award nominations in January 2023.[49][50] Riseborough was nominated for the award on January 24, which the Los Angeles Times called "one of the most shocking nominations in Oscar history".[48]
After the nomination was announced, speculation arose that the tactics might have violated an Academy of Motion Picture Arts and Sciences rule against directly lobbying voters.[51] A post on the film's Instagram account was criticized for possibly violating an Academy rule prohibiting "[singling] out 'the competition' by name" by featuring a quote from film critic Richard Roeper, who praised Riseborough's performance as better than Blanchett's in Tár, a fellow nominee for Best Actress.[52] On January 27, the Academy announced they were "conducting a review of the campaign procedures around this year's nominees, to ensure that no guidelines were violated, and to inform us whether changes to the guidelines may be needed in a new era of social media and digital communication".[53]
The Academy occasionally rescinds nominations if it is found that the nominee participated in unsanctioned campaigning. However there were no reports that Riseborough had been involved in such, or that any Academy members had lodged formal complaints about the campaign's behavior.[53] On January 31, the Academy concluded its review by pledging to address "social media and outreach campaigning tactics" which they said caused "concern", but confirming that Riseborough's nomination would be retained.[54]
The Academy Awards telecast scored 18.7 million viewers in the United States.[2] However, despite a 13% viewership increase from the previous year, ratings were the third lowest ever in ceremony history.[58]
^Yeoh is the second Asian actress nominated in the category, but first to identify with her heritage. 1936 nominee Merle Oberon hid her Eurasian heritage throughout her career.[13]
^ abFleming, Mike Jr.; Kroll, Justin; Ntim, Zac (March 12, 2023). "Deadline's Oscar Live Blog". Deadline Hollywood. Archived from the original on March 13, 2023. Retrieved March 13, 2023. This is an out-and-out commercial for The Little Mermaid and it's only for people watching at home. We in the room are not seeing it. What an atrocious plug. Really!!
‡Dates and years listed for each ceremony were the eligibility period of film release in Los Angeles County. For the first five ceremonies, the eligibility period was done on a seasonal basis, from August to July. For the 6th ceremony, held in 1934, the eligibility period lasted from August 1, 1932, to December 31, 1933. From the 7th ceremony, held in 1935, through the 92nd ceremony, held in 2020, the period of eligibility became the full previous calendar year from January 1 to December 31. For the 93rd ceremony, held in 2021, the eligibility period was from January 1, 2020, to February 28, 2021. For the 94th ceremony, held in 2022, the eligibility period was from March 1, 2021, to December 31, 2021.