Vincente Minnelli circa 1950s
Lester Anthony Minnelli
February 28, 1903
Chicago, Illinois, U.S.
|Died||July 25, 1986 (aged 83)|
|Resting place||Forest Lawn Memorial Park, Glendale|
(m. 1945; div. 1951)
(m. 1954; div. 1958)
Danica Radosavljević (known as Denise Hale a socialite) Gay Giulianelli de Gigante
(m. 1962; div. 1971)
Margaretta Lee Anderson (m. 1980)
|Children||2, including Liza Minnelli|
Vincente Minnelli (February 28, 1903 – July 25, 1986) was an Italian-American stage director and film director. He is remembered for directing such classic movie musicals as Meet Me in St. Louis (1944), An American in Paris (1951), The Band Wagon (1953), and Gigi (1958). An American in Paris and Gigi both won the Academy Award for Best Picture, with Minnelli winning Best Director for Gigi. In addition to having directed some of the best known musicals of his day, Minnelli made many comedies and melodramas. He was married to Judy Garland from 1945 until 1951; the couple were the parents of Liza Minnelli.
Born and baptized as Lester Anthony Minnelli in Chicago, he was the youngest of four known sons, only two of whom survived to adulthood, born to Marie Émilie Odile Lebeau (stage name: Mina Gennell) and Vincent Charles Minnelli. His father was the musical conductor of Minnelli Brothers' Tent Theater.
His Chicago-born mother was of French Canadian descent with a strong probability of Native American (Anishinaabe) lineage included via her Mackinac Island, Michigan born mother. The family toured small towns primarily in Ohio, Indiana and Illinois before settling permanently in Delaware, Ohio.
His paternal grandfather Vincenzo Minnelli and great-uncle Domenico Minnelli, both Sicilian revolutionaries, were forced to leave Sicily after the collapse of the provisional Sicilian government that arose from the 1848 revolution against Ferdinand II and Bourbon rule. Domenico Minnelli had been Vice-Chancellor of the Gran Corte Civile in Palermo at the time he helped organize the January 12, 1848 uprising there. After the Bourbon return to power Vincenzo reportedly hid in the catacombs of Palermo for 18 months before being successfully smuggled onto a New York-bound fruit steamer.
While traveling as a piano demonstrator for Knabe Pianos, Vincenzo met his future wife Nina Picket during a stop in Delaware, Ohio. Vincenzo was a music teacher and composer. Both the U.S. Library of Congress and the Newberry Library in Chicago have Vincenzo (aka Vincent) Minnelli compositions in their collections.
Following his high school graduation, Minnelli moved to Chicago, where he lived briefly with his maternal grandmother and an aunt. His first job was at Marshall Field's department store as a window dresser. He later worked as a photographer for Paul Stone, who specialized in photographing actors from Chicago's theater district. His interest in the theater grew and he was greatly interested in art and immersed himself in books on the subject. Minnelli's first job in the theater was at the Chicago Theatre where he worked as a costume and set designer.
Owned by Balaban and Katz, the theater chain soon merged with a bigger national chain of Paramount-Publix and Minnelli sometimes found himself assigned to work on shows in New York City. He soon left Chicago and rented a tiny Greenwich Village apartment. He was eventually employed at Radio City Music Hall shortly after its 1932 opening as a set designer and worked his way up to stage director – he was also tasked to serve as a color consultant for the original interior design of the Rainbow Room.
After leaving Radio City Music Hall, the first play Minnelli directed was a musical revue for the Shuberts titled At Home Abroad which opened in October 1935 and starred Beatrice Lillie, Ethel Waters, and Eleanor Powell. The revue was well received and enjoyed a two-year run. Minnelli later worked on The Ziegfeld Follies of 1936, Hooray for What!, Very Warm for May, and The Show is On. Minnelli's reputation grew and he was offered a job at MGM in 1940 by producer Arthur Freed.
With his background in theatre, Minnelli was known as an auteur who always brought his stage experience to his films. The first film that he directed, Cabin in the Sky (1943), was visibly influenced by the theater. Shortly after that, he directed I Dood It (also 1943) with Red Skelton and Meet Me in St. Louis (1944), during which he fell in love with the film's star, Judy Garland. They had first met on the set of Strike Up the Band (1940), a Busby Berkeley film for which Minnelli was asked to design a musical sequence performed by Garland and Mickey Rooney. They began a courtship that eventually led to their marriage in June 1945. Their one child together, Liza Minnelli, grew up to become an Academy Award-winning actress and singer. The Minnelli family is thus unique in that father, mother and child all won Oscars.
Known as the director of musicals, including An American in Paris (1951), Brigadoon (1954), Kismet (1955), and Gigi (1958), he also directed comedies and melodramas, including Madame Bovary (1949), Father of the Bride (1950), The Bad and the Beautiful (1952), Lust for Life (1956), Designing Woman (1957), and The Courtship of Eddie's Father (1963). His last film was A Matter of Time (1976).
During the course of his career he directed seven different actors in Oscar-nominated performances: Spencer Tracy, Gloria Grahame, Kirk Douglas, Anthony Quinn, Arthur Kennedy, Shirley MacLaine and Martha Hyer. Grahame and Quinn won. Minnelli received an Oscar nomination as Best Director for An American in Paris (1951) and later won the Best Director Oscar for Gigi (1958). According to Peter Bart in his book The Gross, Minnelli's films having 11 first-place finishes on Variety's opening release box office rankings.
Minnelli's critical reputation has known a certain amount of fluctuation, being admired (or dismissed) in America as a "pure stylist" who, in Andrew Sarris' words, "believes more in beauty than in art." Alan Jay Lerner (of Lerner and Loewe) described Minnelli as, "the greatest director of motion picture musicals the screen has ever seen."
His work reached a height of critical attention during the late 1950s and early 1960s in France with extensive studies in the Cahiers du Cinéma magazine, especially in the articles by Jean Douchet and Jean Domarchi, who saw in him "a cinematic visionary obsessed with beauty and harmony", and "an artist who could give substance to the world of dreams". Minnelli served as a juror at the 1967 Cannes Film Festival. The MGM compilation film That's Entertainment! showed clips from many of his films.
Minnelli's marriages were as follows:
For years, there was speculation in the entertainment community that Minnelli was gay or bisexual. A biography by Emanuel Levy, Vincente Minnelli: Hollywood's Dark Dreamer, claims evidence that Minnelli did, in fact, live as an openly gay man in New York prior to his arrival in Hollywood, where the town that made him a film legend also pressured him back into the closet. According to Levy: "He was openly gay in New York – we were able to document names of companions and stories from Dorothy Parker. But when he came to Hollywood, I think he made the decision to repress that part of himself or to become bisexual." Lester Gaba, a retail display designer who knew Minnelli in New York, was reported to have frequently claimed having an affair with Minnelli, although the same person who related Gaba's claim also admitted that Gaba "was known to embellish quite a bit." Minnelli reportedly had an affair with Lena Horne while making Cabin in the Sky.
Minnelli died in his Beverly Hills home, on July 25, 1986, aged 83, of emphysema and pneumonia, which had caused him to be repeatedly hospitalized in his final year. He reportedly also suffered from Alzheimer's disease. He is interred in Forest Lawn Memorial Park in Glendale, California.
Minnelli left an estate valued at US$1.1 million, the bulk of which was left to his daughter Liza Minnelli. Minnelli bequeathed US$100,000 to his widow. All of Minnelli's property was bequeathed to his daughter Liza.
|1943||Cabin in the Sky||Metro-Goldwyn-Mayer||Musical|
|1943||I Dood It||Metro-Goldwyn-Mayer||Musical-comedy||Alternate title: By Hook or by Crook|
|1944||Meet Me in St. Louis||Metro-Goldwyn-Mayer||Musical|
|1945||The Clock||Metro-Goldwyn-Mayer||Romantic drama||Alternate title: Under the Clock|
|1945||Ziegfeld Follies||Metro-Goldwyn-Mayer||Musical-comedy||Fred Astaire and Judy Garland segments|
|1945||Yolanda and the Thief||Metro-Goldwyn-Mayer||Musical-comedy|
|1946||Till the Clouds Roll By||Metro-Goldwyn-Mayer||Musical||Judy Garland segments|
|1949||Madame Bovary||Metro-Goldwyn-Mayer||Romantic drama|
|1950||Father of the Bride||Metro-Goldwyn-Mayer||Comedy|
|1951||Father's Little Dividend||Metro-Goldwyn-Mayer||Comedy|
|1951||An American in Paris||Metro-Goldwyn-Mayer||Musical|
|1952||Lovely to Look At||Metro-Goldwyn-Mayer||Musical||Uncred (fashion show sequences)|
|1952||The Bad and the Beautiful||Metro-Goldwyn-Mayer||Melodrama|
|1953||The Story of Three Loves||Metro-Goldwyn-Mayer||Anthology||"Mademoiselle" segment|
|1953||The Band Wagon||Metro-Goldwyn-Mayer||Musical-comedy|
|1954||The Long, Long Trailer||Metro-Goldwyn-Mayer||Comedy|
|1956||Lust for Life||Metro-Goldwyn-Mayer||Biographical|
|1956||Tea and Sympathy||Metro-Goldwyn-Mayer||Drama|
|1957||Designing Woman||Metro-Goldwyn-Mayer||Romantic comedy|
|1957||The Seventh Sin||Metro-Goldwyn-Mayer||Drama||Uncred|
|1958||The Reluctant Debutante||Metro-Goldwyn-Mayer||Comedy|
|1958||Some Came Running||Metro-Goldwyn-Mayer||Drama|
|1960||Home from the Hill||Metro-Goldwyn-Mayer||Drama|
|1960||Bells Are Ringing||Metro-Goldwyn-Mayer||Romantic comedy-musical|
|1962||The Four Horsemen of the Apocalypse||Metro-Goldwyn-Mayer||Drama|
|1962||Two Weeks in Another Town||Metro-Goldwyn-Mayer||Drama|
|1963||The Courtship of Eddie's Father||Metro-Goldwyn-Mayer||Romantic comedy|
|1964||Goodbye Charlie||20th Century Fox||Comedy|
|1970||On a Clear Day You Can See Forever||Paramount Pictures||Musical comedy-drama|
|1976||A Matter of Time||American International Pictures||Musical fantasy||Minnelli later disowned this film|
|July 1, 1930 - January 3, 1931||Earl Carroll's Vanities 1930||New Amsterdam Theatre||Costume Designer|
|August 27, 1931 - April 9, 1932||Earl Carroll's Vanities 1931||44th Street Theatre||Costume Designer, Set Designer|
|September 27, 1932 - December 10, 1932||Earl Carroll's Vanities 1932||Broadway Theatre (53rd Street)||Costume Designer, Set Designer|
|November 22, 1932 - February 4, 1933||The DuBarry||George M. Cohan's Theatre||Costume Designer, Set Designer|
|September 19, 1935 – March 7, 1936||At Home Abroad||Winter Garden Theatre||Director, Set Designer|
|January 30, 1936 - May 9, 1936 & September 14, 1936 - December 19, 1936||Ziegfeld Follies of 1936||Winter Garden Theatre||Costume Designer, Set Designer|
|December 25, 1936 – July 17, 1937 & September 18, 1937 - October 2, 1937||The Show is On||Winter Garden Theatre||Director, Set Designer|
|December 1, 1937 – May 21, 1938||Hooray for What!||Winter Garden Theatre||Director, Set Designer|
|November 17, 1939 – January 6, 1940||Very Warm for May||Alvin Theatre||Director, Set Designer|
|January 20, 1950 - February 18, 1950||Dance Me a Song||Royale Theatre||Sketches|
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