|The Grinding Wheel|
|Studio album by|
|Released||February 10, 2017|
|Studio||Gear Recording Studio, Shrewsbury, New Jersey|
|Singles from The Grinding Wheel|
The Grinding Wheel is the 18th studio album by American thrash metal band Overkill, released on February 10, 2017. It is the last Overkill album with drummer Ron Lipnicki, who left the band shortly after its release and was replaced by Jason Bittner (formerly of Shadows Fall and Flotsam and Jetsam) for the album's tour and its follow-up The Wings of War (2019).
Vocalist Bobby "Blitz" Ellsworth said about the album's style:
"At the end of the day Overkill is Overkill. Our trademark is that we are always recognizable on every release. For the three decades we have been around we were always Overkill. So sure it is a metal record and like always it will have sort of a thrash vibe to it with some melody in it. It's always best to try to make it better or at least think in your mind that it is going to be better. That becomes the challenge. I think that is what keeps the band rolling. A lot of bands are known for what they have done, but I feel being known for where you are and what you are doing is where true value lies. I feel we accomplished that on the last few albums."
The album's title was revealed in an interview with Alternative Nation in August 2016, along with a projected release date of November. It was originally planned to be released in October 2016 before being pushed back a month later; however, the album's release date was pushed back to February 2017 to coincide with the band's US tour with Nile. On November 16, 2016, it was announced that The Grinding Wheel would be released on February 10, 2017, and its artwork and track listing were revealed on the same day.
The Grinding Wheel has received generally positive reviews from critics. Blabbermouth.net writer Ray Van Horn Jr. gave the album a rating of nine-and-a-half out of ten, and said, "If you think Overkill expended its tanks producing output with such astonishing velocity, you don't know this band very well. For its eighteenth album, The Grinding Wheel, Overkill does the unthinkable: it outdoes itself. Consider that some fans dropped off after 1991's Horrorscope, which is those poor saps' folly. For the diehard wrecking crew, The Grinding Wheel is going to be a gift to cling to throughout 2017." He finished his review, saying that the album "well surpasses the recent offerings by the Big Four, noble as most of the latter's recent offerings have been. If Destruction won the thrash sweepstakes in 2016, consider Overkill early on front runners for 2017."
AllMusic writer James Christopher Monger gave the album a rating of four stars out of five, and said that it "snaps necks with impunity, but it does so with a structural inventiveness that's eluded some of Overkill's most recent offerings. While the band hasn't lost its knack for dropping unrelenting artillery blasts of breakneck, old-school thrash -- "Goddamn Trouble," "Red, White, and Blue"—there's a nervy, classic rock/NWOBHM undercurrent that runs through Grinding Wheel that owes more to Judas Priest and Accept than it does Testament and Metallica." Monger also praised the album's opening track "Mean, Green, Killing Machine" as "thrilling an opening number as the band has penned in a decade" and "Come Heavy" a "decidedly upbeat, Sabbathy doom anthem".
KNAC.com contributor Alex Yarborough, who reviewed The Grinding Wheel a week before its release, gave the album a rating of four-and-a-half out of five, and wrote, "Fans will also be happy with the thrash energy on this album, while also enjoying the diversity of the songs: more references to NWOBHM, punk, and classic rock. This band is driven by Blitz’s frenetic vocal delivery and energy. Yet no political songs can be found on the album; surprising, since Blitz has some strong political views and 2016 was the most divisive year for politics in American history. Nonetheless, Overkill's middle finger remains in your face."
|1.||"Mean, Green, Killing Machine"||7:29|
|3.||"Our Finest Hour"||5:49|
|5.||"The Long Road"||6:45|
|6.||"Let's All Go to Hades"||4:55|
|8.||"Red White and Blue"||5:05|
|10.||"The Grinding Wheel"||7:55|
|11.||"Emerald" (Thin Lizzy cover)||3:52|
|12.||"Sanctuary" (Iron Maiden cover (Japanese version))||3:16|
Writing, performance and production crs are adapted from the album liner notes.
Artwork and design
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