A short film is any motion picture that is short enough in running time not to be considered a feature film. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all crs". In the United States, short films were generally termed short subjects from the 1920s into the 1970s when confined to two 35mm reels or less, and featurettes for a film of three or four reels. "Short" was an abbreviation for either term.
The increasingly rare industry term "short subject" carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short films are often screened at local, national, or international film festivals and made by independent filmmakers with either a low budget or no budget at all. They are usually funded by film grants, nonprofit organizations, sponsor, or personal funds. Short films are generally used for industry experience and as a platform to showcase talent to secure funding for future projects from private investors, a production company, or film studios. They can also be released with feature films, and can also be included as bonus features on some home video releases.
All films in the beginning of cinema were very short, sometimes running only a minute or less. It was not until the 1910s when films started to get longer than about ten minutes. The first set of films were presented in 1894 and it was through Thomas Edison's device called a kinetoscope. It was made for individual viewing only. Comedy short films were produced in large numbers compared to lengthy features such as D. W. Griffith's 1915 The Birth of a Nation. By the 1920s, a ticket purchased a varied program including a feature and several supporting works from categories such as second feature, short comedy, 5–10 minute cartoon, travelogue, and newsreel.
Animated cartoons came principally as short subjects. Virtually all major film production companies had units assigned to develop and produce shorts, and many companies, especially in the silent and very early sound era, produced mostly or only short subjects.
In the 1930s, the distribution system changed in many countries, owing to the Great Depression. Instead of the cinema owner assembling a program of their own choice, the studios sold a package centered on a main and supporting feature, a cartoon and little else. With the rise of the double feature, two-reel shorts went into decline as a commercial category. Hal Roach, for example, moved Laurel and Hardy full-time into feature films after 1935, and halved his popular Our Gang films to one reel. By the 1940s, he had moved out of short films altogether (though Metro-Goldwyn-Mayer continued the Our Gang shorts until 1944).
Later shorts include George O'Hanlon's Joe McDoakes movies, and the animated work of studios such as Walt Disney Productions and Warner Bros. Cartoons. By the mid-1950s, with the rise of television, the commercial live-action short was virtually dead, The Three Stooges work being the last major series of 2-reelers, ending in 1959. Short films had become a medium for student, independent and specialty work.
Cartoon shorts had a longer life, due in part to the implementation of lower-cost limited animation techniques and the rise of television animation, which allowed shorts to have both theatrical runs and a syndication afterlife. Warner Bros., one of the most prolific of the golden era, underwent several reorganizations in the 1960s before exiting the short film business in 1969 (by which point the shorts had been in televised reruns for years). MGM continued Tom and Jerry (first with a series of poorly-received Eastern European shorts by Gene Deitch, then a better-received run by Warner Bros. alumnus Chuck Jones) until 1967, and Woody Woodpecker lasted to 1972; the creative team behind MGM's 1940s and 1950s cartoons formed Hanna-Barbera Productions in 1957, mainly focusing on television. The Pink Panther was the last regular theatrical cartoon short series, having begun in 1964 (and thus having spent its entire existence in the limited animation era) and ended in 1980. By the 1960s, the market for animated shorts had largely shifted to television, with existing theatrical shorts being syndicated to television.
A few animated shorts continue within the mainstream commercial distribution. For instance, Pixar has screened a short along with each of its feature films during its initial theatrical run since 1995 (producing shorts permanently since 2001). Since Disney acquired Pixar in 2006, Disney has also produced animated shorts since 2007 with the Goofy short How to Hook Up Your Home Theater and produced a series of live-action ones featuring The Muppets for viewing on YouTube as viral videos to promote the 2011 movie of the same name.
DreamWorks Animation often produces a short sequel to include in the special ion video releases of major features, and are typical of a sufficient length to be broadcast as a TV special, a few films from the studio have added theatrical shorts as well. Warner Bros. often includes old animated shorts from its considerable library, connected only thematically, on the DVD releases of classic WB movies. From 2010-2012, Warner Bros. also released new Looney Tunes shorts before family films.
Shorts are occasionally broadcast as filler when a feature film or other work doesn't fit the standard broadcast schedule. ShortsTV was the first television channel dedicated to short films.
However, short films generally rely on film festival exhibition to reach an audience. Such movies can also be distributed via the Internet. Certain websites which encourage the submission of user-created short films, such as YouTube and Vimeo, have attracted large communities of artists and viewers. Sites like Omeleto, FILMSshort, Short of the Week, Think Shorts, Short Central and some apps showcase curated shorts.
Short films are a typical first stage for new filmmakers, but professional actors and crews often still choose to create short films as an alternative form of expression. Amateur filmmaking has grown in popularity as equipment has become more accessible.
The lower production costs of short films often mean that short films can cover alternative subject matter as compared to higher budget feature films. Similarly, unconventional filmmaking techniques such as Pixilation or narratives that are told without dialogue, are more often seen in short films than features.
Tropfest claims to be the world's largest short film festival. Tropfest now takes place in Australia (its birthplace), Arabia, the US and elsewhere. Originating in 1993, Tropfest is often cred as being at least partially responsible for the recent popularity of short films internationally.
Very short films, often referred to as "short shorts", are sometimes considered in a category of their own. The International Festival of Very Shorts, based in Paris, only shows movies less than three minutes long. Filminute, the international one-minute film festival, has presented and promoted a collection of one-minute films across multiple media since September 2006.
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