Hip Hop dance
refers to dance
styles primarily danced to hip hop music
or that have evolved as a part of the hip hop culture
. This includes a wide range of styles such as breaking
, and krumping
. Breaking, locking, and popping were developed in the 1970s by Black
and Latino Americans
. Krumping followed in the 1990s and was developed by Black
Americans in Compton, CA
What separates hip hop dance from other forms of dance is that it is often improvisational (freestyle) in nature and hip hop dancers frequently engage in battles—formal or informal one on one dance competitions. Freestyle sessions and battles are usually performed in a cipher, a circular dance space which forms naturally once the dancing begins. It was DJ Afrika Bambaataa that outlined the five pillars of hip hop culture including breaking as one of them (along with rapping, DJing, beatboxing, and graffiti).
The dance industry responded to hip hop dance by creating a more commercial version of it. This "studio hip hop", sometimes called new style is the kind of hip hop dancing seen in most rap and R&B music videos. Technically speaking, hip hop dance (new style hip hop that is) is characterized as hard hitting. The feet are grounded, the chest is down, and the body is kept loose so that a dancer can easily alternate between hitting the beat or riding through the beat. This is in contrast to ballet or ballroom dancing where the chest is upright and the body is stiff. In addition, new style hip hop is very rhythmic and there's a lot of emphasis placed on musicality—how sensitive your movements are to the music.
The can-can (also spelled cancan, Can Can) is regarded today primarily as a music hall dance, performed by a chorus line of female dancers who wear costumes with long skirts, petticoats, and black stockings, harking back to the fashions of the 1890s. The main features of the dance are the lifting up and manipulation of the skirts, with high kicking and suggestive, provocative body movements.
(September 24, 1842 – July 26, 1863) was one of the last ballerinas
of the Romantic ballet
era, and a protégée of Marie Taglioni
. She perished from burn injuries when her costume caught fire during a performance rehearsal.
Emma studied dancing while young and attended the Paris Opera School. She made her debut at age sixteen with the Paris Opera as the sylph in La Sylphide. Her talent brought her fame and she became a widely respected ballerina.
Marie Taglioni noticed her during one of her performances and immediately took a liking to the girl, becoming her mentor. Marie choreographed for Emma in the ballet Le Papillon, a piece by Jacques Offenbach that was especially created just for Emma.