|Emblem of the Italian Republic|
|Adopted||5 May 1948|
|Blazon||Upon a cogwheel proper, the Stella d'Italia (English: "Star of Italy")|
|Supporters||Olive and Oak|
The emblem of the Italian Republic (Italian: emblema della Repubblica Italiana) was formally adopted by the newly formed Italian Republic on 5 May 1948. Although often referred to as a coat of arms (or stemma in Italian), it is technically an emblem as it was not designed to conform to traditional heraldic rules.
The emblem comprises a white five-pointed star, the Stella d’Italia (English: "Star of Italy"), with a thin red border, superimposed upon a five-spoked cogwheel, standing between an olive branch to the left side and an oak branch to the right side; the branches are in turn bound together by a red ribbon with the inscription "REPVBBLICA ITALIANA" ("Repubblica Italiana", Italian for "Italian Republic", with the U - absent from the classical Latin alphabet - spelt with a V, as is common in inscriptions and heraldry). The emblem is used extensively by the Italian government.
The armorial bearings of the House of Savoy, blazoned gules a cross argent, were previously in use by the former Kingdom of Italy; the supporters, on either side a lion rampant Or, were replaced with fasci littori (literally bundles of the lictors) during the fascist era.
The central element of the emblem is the five-pointed star white star, also called Stella d'Italia (English: "Star of Italy"), which is the oldest national symbol of Italy, since it dates back to ancient Greece. In this historical epoch Italy was associated with the Star of Venus because it was located west of the Hellenic peninsula. Venus, immediately after sunset, is in fact visible on the horizon towards the west. It is the traditional symbolic representation of Italy since the Risorgimento and refers to the traditional iconography that Italy wants to portray as an attractive woman surrounded by a turreted crown - from which the allegory of Italia turrita - and dominated by a bright star, the Star of Italy.
Italy is a democratic republic, built on labour. Sovereignty belongs to the people, who exercise it in the forms and within the limits of the Constitution [...]
However, this reference to work should not be understood as a legal rule, which would oblige the State to protect it in detail, but rather to refer to the principle connected to it, which is the foundation of Italian society. The second paragraph, instead, assigning sovereignty exclusively to the people, establishes the democratic character of the republic. The cogwheel is also present on the flag and the emblem of Angola and on the emblem of Mozambique, nations left by the process of decolonization of the Portuguese Empire as well as on the coats of arms of the Italian municipalities of Assago, Cafasse and Chiesina Uzzanese.
The set formed by the cogwheel and the star of Italy is enclosed by an oak branch, located on the right, which symbolizes the strength and dignity of the Italians (in Latin the term robur means both oak and moral strength and physics), and from an olive branch, located instead on the left, which represents Italy's will for peace, both internally and vis-à-vis other nations. Both oak and olive trees are characteristic of the Italian landscape. The green branches are in turn bound together by a red ribbon bearing the inscription REPVBBLICA ITALIANA in white capital letters. As regards Italy's desire for peace, Article 11 of the Constitution states:
Italy rejects war as an instrument of offense against the freedom of other peoples and as a means of resolving international disputes; allows equal conditions with other states to the limitations of sovereignty necessary for an order that ensures peace and justice between nations; promotes and favors international organizations aimed at this purpose [...]
The refusal of war as an instrument of offense does not follow that Italy cannot participate in a conflict, so much so that articles 78 and 87 of the Constitution prescribe which state organs decide the state of war. In particular, for Italy, it is the two chambers that decree the state of war, which is then formally declared by the President of the Republic; the chambers then give the Italian government the necessary powers to face the conflict. Another extraordinary provision in case of war is the duration of the legislature of the two chambers, which can be exceptionally extended, as stated in article 103 of the Constitution, beyond the five canonical years.
The emblem of the Italian Republic cannot be defined as a coat of arms as it has no shield; the latter being in fact, according to the heraldic definition, an essential part of the crests (as opposed to other decorations such as, for example, crowns, helmets or fronds, which are accessory parts). For this reason it is more correct to refer to it as "national emblem".
The Italian naval ensign, since 1947, comprises the national flag defaced with the arms of the Marina Militare; the Marina Mercantile (and private citizens at sea) use the civil ensign, differenced by the absence of the mural crown and the lion holding open the gospel, bearing the inscription PAX TIBI MARCE EVANGELISTA MEVS, instead of a sword. The shield is quartered, symbolic of the four repubbliche marinare, or great thalassocracies, of Italy: Venice (represented by the lion passant, top left), Genoa (top right), Amalfi (bottom left), and Pisa (represented by their respective crosses).
To acknowledge the Navy's origins in ancient Rome, the rostrata crown, "... emblem of honor and of value that the Roman Senate conferred on duci of shipping companies, conquerors of lands and cities overseas," was proposed by Admiral Cavagnari in 1939. An inescutcheon, bearing the Savoy shield flanked by fasces, was removed before the arms were first employed.
The Kingdom of Italy was a French client state founded in Northern Italy by Napoleon I, Emperor of the French in 1805. It had a peculiar coat of arms, formed by the arms of the House of Bonaparte augmented by charges from various Italian regions. When Napoleon abdicated the thrones of France and Italy in 1814, the former monarchies were gradually re-established and following the Treaty of Paris in 1815, the rump was annexed by the Austrian Empire.
Between 1848 and 1861, a sequence of events led to the independence and unification of Italy (except for Venetia, Rome, Trento and Trieste, or Italia irredenta, which were united with the rest of Italy in 1866, 1870 and 1918 respectively); this period of Italian history is known as the Risorgimento, or resurgence. During this period, the green, white and red tricolore became the symbol which united all the efforts of the Italian people towards freedom and independence.
The Italian tricolour, defaced with the coat of arms of the House of Savoy, was first adopted as war flag by the Regno di Sardegna-Piemonte (Kingdom of Sardinia-Piedmont) army in 1848. In his Proclamation to the Lombard-Venetian people, Charles Albert said "… in order to show more clearly with exterior signs the commitment to Italian unification, We want that Our troops … have the Savoy shield placed on the Italian tricolour flag." As the arms mixed with the white of the flag, it was fimbriated azure, blue being the dynastic colour. On 15 April 1861, when the Regno delle Due Sicilie (Kingdom of the Two Sicilies) was incorporated into the Regno d'Italia, after defeat in the Expion of the Thousand led by Giuseppe Garibaldi, this flag and the armorial bearings of Sardinia were declared the symbols of the newly formed kingdom.
On 4 May 1870, nine years later, the Consulta Araldica issued a decree on the arms, as with the Sardinian arms, two lions rampant in gold supporting the shield, bearing instead only the Savoy cross (as on the flag) now representing all Italy, with a crowned helmet, around which, the collars of the Military Order of Savoy, the Civil Order of Savoy, the Order of the Crown of Italy (established 2 February 1868), the Order of Saints Maurice and Lazarus, and the Supreme Order of the Most Holy Annunciation (bearing the motto FERT) were suspended. The lions held lances flying the national flag. From the helmet fell a royal mantle, engulfed by a pavilion under the Stellone d'Italia, purported to protect the nation.
After twenty years, on 1 January 1890, the arms' exterior were slightly modified more in keeping with those of Sardinia. The fur mantling and lances disappeared and the crown was taken from the helmet to the pavilion, now sewn with crosses and roses. The Iron Crown of Lombardy was placed on the helmet, under the traditional Savoyan crest (a winged lionhead), which, together with the banner of Savoy from the former Sardinian arms, replaced the star of Italy. These arms remained in official use for 56 years until the birth of the Italian Republic and continue today as the dynastic arms of the head of the House of Savoy.
On 11 April 1929, the Savoy lions were replaced by Mussolini with fasces from the National Fascist Party shield. After his dismissal and arrest on 25 July 1943 however, the earlier version was briefly restored until the emblem of the new Repubblica Italiana was adopted, after the institutional referendum on the form of the state, held on 2 June 1946. This is celebrated in Italy as Festa della Repubblica.
The arms of the short-lived Nazi state in northern Italy, the Repubblica Sociale Italiana (Italian Social Republic), or Republic of Salò as it was commonly known, was that of the governing Republican Fascist Party, a silver eagle clutching a banner of the tricolore inverted on a shield charged with fasces. Italian fascism derived its name from the fasces, which symbolises authority and/or "strength through unity". The fasces has been used to show the imperium (power) of the Roman Empire, and was thus considered an appropriate heraldic symbol. Additionally, Roman legions had carried the aquila, or eagle, as signa militaria.
This shield had previously been displayed alongside the Royal arms from 1927 to 1929, when the latter was modified to incorporate elements of both.
The decision to provide the new Italian Republic with an emblem was taken by the government of Alcide De Gasperi in October 1946. The design was chosen by public competition, with the requirement that party political emblems were forbidden and the inclusion of the Stellone d'Italia (English: "Great Star of Italy"), "inspired by a sense of the earth and municipalities." The five winners were assigned further requirements for the design of the emblem, "a ring that has towered shaped crown," surrounded by a garland of Italian foliage and flora.
Below a representation of the sea, and above, the gold star, with the legend Unità e Libertà or Unity and Liberty in the Italian language. The winner was Paolo Paschetto, Professor of the Institute of Fine Arts in Rome from 1914 to 1948, and the design was presented in February 1947, together with the other finalists, in an exhibition in Via Margutta. This version, however, did not meet with public approval, so a new competition was held, again won by Paolo Paschetto. The new emblem was approved by the Constituent Assembly in February 1948, and officially adopted by the President of the Italian Republic, Enrico De Nicola in May 1948.
Presidential standard of Italy (since 2000)
Standard of the President of the Council of Ministers of the Italian Republic (since 2008)
European Health Insurance Card with the emblem stamped