Carlos Manuel de Céspedes

Carlos Manuel de Céspedes

Carlos Manuel de Céspedes del Castillo (April 18, 1819, Bayamo, Spanish Cuba – February 27, 1874, San Lorenzo, Spanish Cuba) was a Cuban revolutionary hero. Cespedes, who was a plantation owner in Cuba, freed his slaves and made the declaration of Cuban independence in 1868 which started the Ten Years' War.[1] (1868–78), which ultimately led to Cuban independence.

Because of his actions during the Independence War, he is known in Cuba as the "Father of the Motherland".

The Ten Years' War[]

Céspedes was a landowner and lawyer in eastern Cuba, near Bayamo, who purchased La Demajagua, an estate with a sugar plantation, in 1844 after returning from Spain. On October 10, 1868, he made the Grito de Yara (Cry of Yara), declaring Cuban independence, which began the Ten Years' War. That morning, after sounding the slave bell that indicated to his slaves it was time for work, they stood before him waiting for orders, and Céspedes announced they were all free men, and were invited to join him and his fellow conspirators in war against the Spanish government of Cuba. He is called Padre de la Patria (Father of the Country). In April 1869 he was chosen President of the Republic of Cuba in Arms.

The Ten Years' War was the first serious attempt to achieve independence from Spain, and to free all slaves. The war was fought between two groups. In the East of Cuba the tobacco planters and farmers, joined by mulattos and some slaves, fought against the West of Cuba, with its sugarcane plantations (which required many slaves) and the forces of the Spanish Governor-General. Hugh Thomas summarises thus: The war was a conflict between criollos (creoles, born in Cuba) and peninsulares (recent immigrants from Spain). The Spanish forces and the peninsulares, backed by rich Spanish merchants, were at first on the defensive, but in the longer run their greater resources told.[2]

Céspedes was deposed in 1873 in a leadership coup. Spanish troops killed him in February 1874 in a mountain refuge, as the new Cuban government would not let him go into exile and denied him an escort. The war ended in 1878 with the Pact of Zanjón. The pact did make concessions: liberation of all slaves and Chinese who had fought with the rebels, no action for political offences; but not freedom for all slaves, and no independence. The Grito de Yara had achieved something, though not enough; but it had lit a long-burning fuse. Lessons learned there were later put to good use in the Cuban War of Independence.

Birthplace of Carlos Manuel de Cespedes
Statue of Carlos Manuel de Cespedes in Cespedes Park in Bayamo

Personal life[]

Céspedes depicted on the artist/progress proof designed by the Bureau of Engraving and Printing for Cuban silver certificates (1936).
Céspedes depicted on the artist/progress proof designed by the Bureau of Engraving and Printing for Cuban silver certificates (1936).

Born in 1819 in Bayamo into a family dedicated to the production of sugar, he studied at the University of Havana, where he graduated in 1840. In Spain, the country to which he moved with the intention of pursuing his law studies, he frequented the nearby circles to Freemasonry and participated in revolutionary and anti-government activities, being arrested and forced into exile in France.

After returning to Cuba, and convinced of the need to oppose militarily the metropolis as the only way to achieve the independence of the island, he came into contact with other opponents of the colonial regime, among them Salvador Cisneros Betancourt, Bartolomé Masó and Pedro Figueredo. Most of the opposition, like Cespedes himself, came from sugar families settled on the eastern end of the island, traditionally poorer and less developed.

Céspedes was married twice and had two lovers who also bore him children. The first marriage in 1839 to Maria del Carmen de Cespedes y del Castilo (his first cousin) and they had Maria del Carmen, Oscar, and Carlos Manuel de Cespedes y Cespedes. His first wife dies in 1867 of tuberculosis and in 1869 he marries for the second time to Ana Maria de Quesada y Loinaz (1843–1910) and they had 3 children, Oscar, and twins Gloria (1871–?) and Carlos Manuel de Céspedes y Quesada (1871–1939), who was briefly President of Cuba after Gerardo Machado was deposed in 1933.

Between his two marriages its believed he had carried on an affair during or shortly afterwards with Candelaria "Cambula" Acosta y Fontaigne (b. 1851) then the 17yr old daughter of the forman of his plantation Juan Acosta and wife Concepción Fontaine y Segrera. He had tasked Cambula with sewing the first flag that he designed for Cuba. With Cambula he has daughter Carmen de Cespedes y Acosta (b. 1869). Fearing for their safety he moves a then pregnant Cambula and daughter to Jamaica. In 1872 their son Manuel de Cespedes Y Acosta is born in Kingston. In San Lorenzo before he died, Carlos Manuel met a widow, Francisca (Panchita) Rodriguez. Carlos Manuel and Panchita became lovers and produced a son, Manuel Francisco de Cespedes y Rodriguez.

He named Oscar, his fifth son, after his late second child Oscar, who was executed by a Spanish firing squad. The Spanish authorities wanted to exchange Oscar's life for Céspedes' resignation as President of the Republic of Cuba at Arms (not to be confused with his son Carlos Manuel de Cespedes Y Quintana who was in 1933 named President of Cuba after President Machado fled the country). He famously answered that Oscar was not his only son, because every Cuban who had died for the revolution he started, was also his son.

He had been, before the conflict, something of a musician, and he was part-composer of a romantic song called La Bayamesa.[3]

His portrait was on the 10 pesos bills in Cuba until 1960 when it was moved to the 100 pesos bill. A municipality in Camagüey Province, Carlos M. de Cespedes was named after him.

References[]

  1. ^ Guerra Sánchez, Ramiro 1972. Guerra de los 10 años. 2 vols, La Habana.
  2. ^ Thomas, Hugh 1971. Cuba, or the pursuit of freedom. Eyre & Spottiswoode, London. Revised and abridged ion 2001, Picador, London. Chapters 16 & 17.
  3. ^ About 1851, lyrics José Fornaris, score by Francisco Castillo Moreno and Carlos Manuel de Céspedes. Canizares, Dulcila 1995. La trova tradicional. 2nd ed, La Habana. p14

Further reading[]

External links[]

Media related to Carlos Manuel de Céspedes at Wikimedia Commons